Drawing for a maker is an essential skill. Not drawing like Leonardo but well enough to put down a few decent honest lines. Leaning to draw is not hard and everyone can draw like everyone can learn to drive a car. It takes some effort and once you know it will aways be there when you need it.
“You teach drawing really well here, you should offer it to everyone who wants to learn”
– Rose Carter-Stout, a student at Rowden, graduate of Camberwell College of Art
We have been teaching drawing for over 35 years. We base our teachings on the classical methods David Savage gained at the Ruskin School of Drawing and Fine Art at University of Oxford and The Royal Academy Schools in London.
WHERE, WHEN, HOW MUCH ?
We have run drawing classes at Rowden Workshops Shebbear North Devon for over ten years. Now we are building a new Drawing Studio overlooking pasture going down to our lake.
Above shows the Life Drawing studio at the Royal Academy Schools London. Below is the Artists rendition for the new art studios being developed now for completion early 2017.
We aim for you to be able to draw well. And to do it in a short time. You will be working with Ed Wild starting with very simple exercises that hopefully will show you that YOU CAN DRAW. Then you will be encouraged to draw on your own 20 minutes a day four times a week. Thats all it takes. This after six months will see you drawing really well.
We begin learning to draw in its simplest form, bring it back to basics, careful observation and a dozen or so honest lines. This is important. We do this to remove complexity and give you confidence that you CAN draw.. Your focus here is to look very carefully, measure the objects within the space and transfer this information in it’s most simple form – line drawing.
The concept here is not complicated. You need to learn to draw what you see in front of you. Not what you think you see. Looking very hard. What, you draw becomes unimportant, a tea cup, a box of matches, soon you will find visual interest in anything, in everything.
When you draw we want you to only use the right hand side of your head. Put the command and control system in the left brain to sleep. “Is it too high?” “Is it too long a line?” “Is that angle correct?” These are visual thoughts from the right brain. The other stuff, “You can’t draw. Why are you doing this?” ” I am bored” This is left brain and is not allowed in the studio. Leave it at the studio door.
Enjoy and welcome the calm silence of the drawing studio. This is visual thinking, a kind of active meditation.
“This is similar to going out running or working out. At first it can be draining and hard work. But the more you do it the easier it becomes”. Learning to draw can be demanding to begin with, it requires a lot of focus and concentration. But thefocus
Learning to draw is a rewarding experience. Keep everything you create so you can gauge your progress
Our students engage in a series of drawing exercises including self portraiture. This is where you will learn to draw the proportions of the face correctly. Being able to correctly draw the proportions of the facial features is a way to grasp the idea of looking and drawing what you see.
Pictured above is Robert Longstaff’s portraiture drawing. As you can see he has vastly improved throughout the four versions of his drawing. A remarkable transformation during his time here. We make everyone keep the drawings they create as it can be a real confidence booster when you see where you started. Even from a teacher’s point of view it’s a great joy to see the look on a student’s face when you present to them the before and after drawings.
YOU should bother. Drawing, even very basic drawing is the way to remember ideas, to put great images into your visual database. Instagram is a good tool as a reference source for images but it is external. Drawing is internal. When you draw that sea shell you install it in the back of your head in the subconscious. When you sit down 30 years later to create an image for a client it’s that sea shell that pops off the end of your pencil clear and fully detailed. A drawing is like a stick in the ground that you come back to 30 years later to dig beneath and find the idea full and complete.
Drawing is not like building an instagram library or a pinterest reference they are both external . Drawing is internal, drawing build your personal visual library of images that forms your imagination
You will be learning to draw in our purpose built Drawing Studio. Here you will have help to begin your creative journey. With a very small group of three or four and a tutor there to help and guide you the whole time.
Be prepared for a mixture of feelings during the course. It will be a different kind of work, a different kind of thinking, ultimately rewarding and uplifting. You will cover everything you need to know to become someone who can draw.
We will cover many subjects – including observation, still life and figure drawing – which have been tried and tested throughout history. You will gain key skills and a confidence in putting ideas and observations down on paper.
Being able to transfer the information you see in front of you down on to paper. Using pencil, ink, charcoal you will learn how to draw what you see, not what you think you see.
These exercises will come in the form of drawing various objects with different levels of difficulty from white geometric objects to textured fruit. A lot is covered in still life drawing and all of it will help you gain the knowledge to help you believe that You Can Draw. Find out more here!
Throughout history artists have drawn the human form. It is the most difficult and the most nourishing of activities a creative person can engage in. The human form unites us in our seeking to express better who we are are and why we are here. The perfect antidote to the digital age. Get the proportions right, look for balance, simplify the form, including all the dips and curves. It’s not an easy task this as it requires a lot of focus.
During your time here you will undertake several life drawing sessions:
“The concentration in the room is like an exam or a communion. I had forgotten what an intense pleasure just practising life drawing is, the feeling of the charcoal on the paper, the dance of the physical and the mental, the moment when it flows, and the longueurs when you trip over your own finders, the nonchalance of being able to tear off the paper and start again, the complete attention a body demands.”
– AA Gill, ‘All will be revealed’, The Sunday Times magazine
This quote was taken from an article written by the AA Gill, an aspiring artist who went to Slade College of Fine Art then later became a journalist. The full article can be found on The Sunday Times website.
Once we have grasped the basics of learning to draw we will begin to add a spot of colour to your drawings. Watercolour is a great medium to create vibrant yet professional looking drawings. We start you out on the basics and build upon those skills:
Will be some of the many exercises we will cover. If you would like to find out more about watercolour, please follow here or choose from the dropdown menu above.